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Two years ago Neneh Ada Yang knew nothing about China, but today her talent for Chinese art impresses even masters in the field. "I`m very proud that I might be the only African that can paint Chinese art," she says with a smile, sitting in her Beijing art studio surrounded by paintings of trees, flowers and towering mountains.

兩年前，愛(ài)達(dá)•楊對(duì)中國(guó)一無(wú)所知，但如今她在中國(guó)藝術(shù)方面所展現(xiàn)出來(lái)的天賦已令許多大師級(jí)人物刮目相看?！拔铱赡苁俏ㄒ灰粋€(gè)會(huì)畫(huà)中國(guó)畫(huà)的非洲人，這令我感到自豪?！彼谧约何挥诒本┑乃囆g(shù)工作室里微笑著說(shuō)道，工作室四周滿是山水畫(huà)，從花草樹(shù)木到層巒疊嶂。

The 26-year-old, who couldn`t understand any Chinese when she arrived in China in 2011, is now skilled in several traditional Chinese art forms, including Peking Opera, calligraphy and the seven-stringed guqin.

26歲的愛(ài)達(dá)•楊2011年初到中國(guó)時(shí)根本不懂中文，但現(xiàn)在的她卻精通多門(mén)中國(guó)傳統(tǒng)藝術(shù)，其中包括京劇、書(shū)法和古琴。

But her specialty is in traditional Chinese painting. Some of her work has been good enough to be exhibited in the National Museum of China.

但她的專長(zhǎng)是國(guó)畫(huà)。她的一些精美畫(huà)作甚至成功地在中國(guó)國(guó)家博物館展出。

Many people come to China in search of the exotic, but for Yang it was a relationship with Chinese landscape painter Yang Yan, who visited Africa in April 2011, that brought her to the country.

很多人來(lái)中國(guó)尋找異國(guó)情調(diào)，但對(duì)愛(ài)達(dá)•楊而言，她與中國(guó)結(jié)緣卻始于一段戀情。2011年四月，她與赴非旅游的中國(guó)山水畫(huà)家楊彥相識(shí)相戀，最終來(lái)到中國(guó)。

"I was a third-year college student learning business administration in Sierra Leone," she says. "The only thing I knew about China was the kung fu star Jackie Chan, whom I had seen in movies."

“當(dāng)時(shí)我還是一名在塞拉利昂攻讀商業(yè)管理專業(yè)的大三學(xué)生，”她說(shuō)，“對(duì)于中國(guó)，我唯一知道的是功夫明星成龍，我看過(guò)好多部他的電影。”

Yang and Yang Yan met through friends and soon fell for each other, even though they did not speak a common language.

愛(ài)達(dá)•楊和楊彥經(jīng)由朋友介紹相識(shí)，盡管語(yǔ)言不通，但仍然無(wú)法阻止他們迅速墜入愛(ài)河。

For the 55-year-old Yang Yan, it was a romance he`d been waiting for 20 years after seeing a sculpture of an African girl. When he saw Yang, instinct told him this was the woman he`d been waiting for.

對(duì)于55歲的楊彥來(lái)說(shuō)，這是一段等了20年的戀情。20年前，一座非洲女孩的雕塑深深印在他的腦海中；20年后，當(dāng)愛(ài)達(dá)•楊出現(xiàn)時(shí)，直覺(jué)告訴他這就是自己一直等待的女人。

The two got married in Sierra Leone a month after meeting and Yang followed her husband to China without telling her family. It was a bold move for her and not without challenges.

他們二人認(rèn)識(shí)一個(gè)月后便在薩拉利昂結(jié)了婚，愛(ài)達(dá)•楊在沒(méi)有告訴家人的情況下隨丈夫來(lái)到中國(guó)。對(duì)她而言，這是一個(gè)大膽而冒險(xiǎn)的舉動(dòng)。

"I talked to my friends and realized that there are big differences between my country and China - language, culture and climate. But I know when you go to any place, you need to respect their culture, so I decided to follow what people do here," says Yang, who now speaks fluent Chinese.

愛(ài)達(dá)•楊用一口流利的中文說(shuō)道：“我和朋友們聊天，然后意識(shí)到中非之間有很大的差異——語(yǔ)言、文化、氣候皆不相同。但我知道不管去向何處，都需要尊重當(dāng)?shù)氐奈幕?。所以我決定入鄉(xiāng)隨俗?！?/SPAN>

She was surprised to discover her husband was a painter when she saw his studio.

當(dāng)她來(lái)到楊彥工作室時(shí)，她才驚喜地發(fā)現(xiàn)原來(lái)自己的丈夫是位畫(huà)家。

"I see him painting every day," she says. "Mr Yang is that kind of person. When you see him painting, you want to paint. When he paints, he puts all his attention, his effort, his love into it, which can be very infectious."

“我看到他天天在作畫(huà)，”她說(shuō)，“楊彥是那種你看他畫(huà)，就也想跟著畫(huà)的人。他畫(huà)畫(huà)時(shí)，將全部注意力、精力、以及情感都沉浸其中，極具感染力。”

When Yang Yan left his desk, Yang picked up the brushes and began to paint mango trees - common in her hometown - using different colors and brush strokes to show how they looked at various stages of growth.

當(dāng)楊彥離開(kāi)畫(huà)桌后，愛(ài)達(dá)•楊便拿起畫(huà)筆，開(kāi)始畫(huà)自己家鄉(xiāng)隨處可見(jiàn)的芒果樹(shù)。她用不同的顏色和畫(huà)筆來(lái)展現(xiàn)出芒果樹(shù)各個(gè)生長(zhǎng)階段。

At the end of the 2011, she held her first exhibition. Since then, Yang`s art has been shown on many occasions, including at the China-Africa People`s Forum, and has been bought by both collectors and galleries.

2011年年末，她舉辦了首次個(gè)人畫(huà)展。從那時(shí)起，愛(ài)達(dá)•楊的畫(huà)作便在包括中非人民論壇在內(nèi)的許多活動(dòng)中亮相，一些收藏家和畫(huà)廊更是買(mǎi)下她的作品。

What stands out in her work, Yang Yan believes, is its innocence and purity.

楊彥認(rèn)為，正是畫(huà)中的那份樸實(shí)與純粹令她的作品出類拔萃。

"She can be very focused and expresses everything in the scene she paints, which is very precious. To her, art is only art; it has no connections with anything else," he says.

“她能夠非常專注地在作品中表達(dá)一切，這十分難得。對(duì)她而言，藝術(shù)就是藝術(shù)，與其他任何事情無(wú)關(guān)?！睏顝┰u(píng)價(jià)說(shuō)。

Yang and her husband have collaborated on some artwork, including on a series of paintings of plum-mango trees. On the treetops there are plum blossoms, while on the trunks there are mangos. This series of work was sold to African embassies and Chinese museums.

愛(ài)達(dá)•楊夫婦聯(lián)手創(chuàng)作了一些作品，其中包括一系列以梅花和芒果樹(shù)為主題的畫(huà)作。樹(shù)上開(kāi)的是梅花，結(jié)的卻是芒果。這一系列作品被非洲大使館和中國(guó)博物館買(mǎi)下收藏。

"Chinese people like plum blossom, which symbolizes integrity and nobility, characteristics that are admired in Chinese culture, while mango symbolizes Africa. This creative idea is very refreshing," Yang Yan says.

楊彥說(shuō)：“中國(guó)人喜歡梅花，它象征著中華文明所崇尚的正直和高貴；而芒果則象征著非洲。這個(gè)創(chuàng)意非常新穎。”

Yang adds, "Chinese painting is like a spirit for me now."

愛(ài)達(dá)•楊補(bǔ)充道：“現(xiàn)在，中國(guó)畫(huà)就是我的靈魂寄托?！?/SPAN>